I hope to build believable spaces that reshuffle our expectations in a way akin to dreaming or being hypnotized.  Gravity can be denied.  Straight lines wobble and threaten to bend.  I think about the psychology of space, memory, and perception as it relates to a viewer’s reality.  The studio acts as a site for experimentation and a point of departure, where perspectival interiors merge with unexpected leaps into remembered or observed phenomena and conventional space mashes with flattened abstraction and stylistic fancy.  Feeling more kinship with a  stagehand than a storyteller, I leave the final pivotal role of narration to the viewer.

These are stages for unseen painted events.